PAOLO GANZ Writer, musician and traveller, was born in Venice and since a few years ago, he has lived at Lido, by the Adriatic Sea. He makes up, collects and tells stories; some of these set in his native land. He has also written articles, essays, music and songs. After having also worked as a collaborator of musical journalistic publications, in 2006 he published his first novel Nel Nome del Blues (Agorà Factory), followed by Venice Rock’n’Roll (Fernendel, 2011), Calle dei Bombardieri (Studio LT2, 2011), Armonicomio (Fernandel, 2012), Perché a nessuno piace il mio caffè? (La Toletta, 2013), Piccolo Taccuino Adriatico (Mare di Carta, 2014 – second place, narrative section Prize Carlo Marincovich 2015), El muerto vivo (La Toletta, 2014), Cercando Venezia – Guida poetica alla città di pietre e acqua (Mare di Carta, 2016 – Mention Prize Gambrinus Mazzotti 2017), La Grecia di isola in isola (Ediciclo, 2017), the collection of poems Lucernari and the essay Il racconto degli zattieri. He collaborated with Giovanni Giusto on the theatrical performance Revoluciòn – the adventurous life of Gino Doné and the anthology Porto Marghera – One hundred years of stories 1917– 2017 (Helvetia Editrice 2017). He is also the author of what still remains the first and most complete method for Italian Blues harmonica (Bèrben, 1987). His site is www.paologanz.it
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